Tag Archives: Stream

£120,000 research fund open to artists and creatives across all artforms. . .

A National Dance Network initiative, supported by the Jerwood Charitable Foundation and delivered by DanceXchange.

The Jerwood Choreographic Research Project (JCRP) is an innovative new investment model for open-ended research in choreographic practice open to artists and creatives across all art forms.

Bringing together a range of investors from across the cultural sector along with funding from The Jerwood Charitable Foundation to create an investment pot of over £120,000, the project is now seeking research proposals from artists and creatives from any artform who consider their work to be choreographic.

We anticipate that the average amount given to a successful pitch will be £10k and that approximately 12 projects will be supported from a shortlist of no more than 30. In exceptional circumstances, however, DanceXchange reserves the right to support a smaller number of projects or for all of the funds to be allocated to one project.

Application Process:
There is a two-part application process:
- A short written application. Deadline Monday 29 July 2013, 6pm
- A pitch by shortlisted artists on Wednesday 25 September 2013
- Successful artists will deliver their research project by the end of December 2014.

To download an application form and full guidance notes please visit the DanceXchange website or email kate.jackson@danceXchange.org.uk for further information.

Posted in Uncategorized | Leave a comment

Burning The Books; Debt, Art and Being Human / Alinah Azadeh / Tues 4th June

This project by Alinah Azadeh seems especially relevant in our current climate. Great to see more artists engaging directly with economics. . .

Tuesday June 4th, 11am – 1pm. Free.

Institute of Social Psychology, London School of Economics, Houghton St, WC2A 2AE, St. Clements Building, 3rd Floor, Room 314/315

There is no debt without story. Take a moment to reflect on and engage in a dialogue about debt other than the one you may think is on offer here. Come and hear about this public encounter and digital project, in collaboration with debtors and creditors everywhere and preparing to tour nationally.

On May 18th 2013, artist Alinah Azadeh publicly recited and burned £100,134,274 of unpaid financial debt and a whole spectrum of immeasurable debts, contained in the 68 stories she was given, in an act of imaginary absolution, hosted by Blank gallery. These came out of a period of encounters on the streets of Portslade, near Brighton, as well as from many entries received through http://www.burningthebooks.co.uk. Some of these stories are still there and can be browsed for inspiration. They spanned the financial, emotional ,social, ecological, political and psychic – unpaid loans, unrequited love, lost lives, political repression, ecological damage, family feuds, missed opportunities, love and gratittude..

The Book of Debts, Volume 3 is now open to entries online, and Azadeh invites the community of LSE and other invited guests to contribute, question and engage with the project as part of her seminar on June 4th, 11am. She will be reciting some of the texts from the final event as well as giving background and raising questions around the moral confusion that the construct of debt seems to be creating in both personal, social and wider political spheres.

This marks the culmination of an R+D period, supported by Arts Council England. The project is currently working towards a proposed touring period, starting in Birmingham where the current Volume (III) will be burnt, through Fierce, on October 20th. To contribute to The Book of Debts, Vol III now and find out more:
www.burningthebooks.co.uk

Posted in Uncategorized | Comments Off

Confirmed Fierce Festival 2013 artists / projects announced. . . more names to follow. . .

These are the latest confirmed Fierce Festival 2013 artists and/ or projects. We’ll be updating this list as we progress over the summer so look out for future announcements. . . You can also read our latest press release here.

photo: Sam Ackroyd

Atlanta Eke / Monster Body (Australia)

Atlanta is an emerging dance-theatre artist we came across in Melbourne last year at Next Wave Festival. We were challenged and intrigued by the piece she directed and performed: Monster Body. Fierce continues to build its partnership with Next Wave Festival, through an additional series of residencies bringing Australian artists to Birmingham as well as future co-commissions and productions.

atlantamaryeke.wordpress.com

Brian Lobel / Fun With Cancer Patients (UK)

Brian Lobel draws on his own experience of cancer treatment as a young adult to facilitate a series of ‘actions’ by Birmingham teenaged cancer patients. These actions are self-authored, designed to be of value to the teenagers themselves in processing their experience of cancer. These actions will take place over the summer, the documentation of these actions will form the basis of an exhibition at MAC autumn 2013.

blobelwarming.com

Denis Tricot (France)

Denis Tricot creates intricate looping structures from balsa wood. His delicate interventions create new, but temporary spatial dialogues with their site. In the past these structures have been used as instruments with wire strung between them, stage sets for dancers to interact with and even set on fire. An integral aspect of constructing these works in public space is the theatre of their own making, witnessed daily by passersby as the sculpture emerges.

denis-tricot.com

Franko B / Because of Love (UK)

photo: Hugo Glendinning

Franko B presents his new multi-disciplinary performance for stage, Because of Love volume 1. Central to the work is the idea of the sentimentality of memory – the emotional charge and romanticism often applied to our experience of remembering culture. The piece represents a departure in Franko’s practice, moving away from the tableaux vivants of his previous work.

Iona Kewney

Iona Kewney will stage a new work combining a visceral, frenetic and exhaustive routine, with elements of contortionism, soundscaped by the electronic drone score from long-term collaborator Joseph Quimby.

www.ionakewneyandjosephquimby.com

Lundahl & Seitl (Sweden/UK)

Christer Lundahl and Martina Seitl, create immersive, participatory environments, often involving intimate binaural recording and the touch of a disembodied hand. You may remember their work, Symphony of a Missing Room at Birmingham Museum and Art Gallery, from Fierce Festival 2011. This year they are developing a new work; part of the research has involved Dr Sue Fox, a hypnotist who worked on Ron Athey’s Gift’s of the Spirit that featured in Fierce last year.

lundahl-seitl.com

Sorcha Kenny / Walking We Ask Questions (Ireland)

We came across this project in the Dublin Fringe Festival 2012, this first iteration involved a seven hour walk with thinkers from a variety of disciplines, the discoveries and traces of interactions were brought together in a performance lecture. This project has been initiated by Sorcha Kenny, a Dublin based artist interested in ‘social choreography and simple acts of public intervention’.

walkingweaskquestions.com

The Authentic Boys (trans-Europe collective)

Authentic Boys is an international collective of artists: the performers Gregory Stauffer and Johannes Dullin (Geneva/Berlin) and the filmmakers Boris van Hoof and Aaike Stuart (Rotterdam/Berlin). We met Gregory at the brilliant Belluard Bollwerk festival in Switzerland. The collective will be developing a project with 13 – 18 year olds in Birmingham (and later across Europe), playfully ‘testing’ their revolutionary potential. One outcome will result in a publication with photographs of the participants.

authentic-boys.com

Wolf in the Winter (trans-Europe collective)

We became more aware of Wolf in the Winter, through Brian Catling, who featured in our Holy Mountain Party (co-curated with Harminder Judge last year). The ‘wolves’ are a collective of six international performance artists from across Europe, who come together to form make a ‘pack’. They additionally include Kirsten Norrie, Aaron Williamson, Denys Blacker, Anet van de Elzen and Ralf Wendt. The wolves will open Fierce 2013 at Edible Eastside, a community garden in Digbeth.

wolfinthewinter.com

Edible Eastside (Digbeth, UK)

‘Edible Eastside is a visionary initiative to transform a derelict brownfield site into a vibrant and contemporary urban garden for people to learn to grow plants and food. The garden covers a quarter of an acre of canal-side land, a former distribution depot, which we are converting into a ‘pop-up’ edible park using temporary containers and raised beds.’ Edible Eastside are currently exploring the question – what would be the ideal content of a Digbeth Pie?

edibleeastside.net

Eva Meyer-Keller (Germany)

In a joint project with Sybille Müller and with children aged 10 – 12, Eva Meyer-Keller reconstructed disasters in the performance Building after catastrophes and recorded them on video. We are now searching for a Birmingham based school or individuals in the right age bracket to take part in a sound-focused version of the project!

evamk.de

Blanch and Shock (UK)

Radical food designers Blanch and Shock, will be creating an autumnal feast in collaboration with Edible Eastside. Liaising with those working on the garden, seeds will be planted over the coming weeks that will form the heart of an autumnal harvest feast to launch Fierce Festival 2013.

blanchandshock.com

Action Hero (UK)

Action Hero is the collaboration between Gemma Paintin and James Stenhouse. The duo performed the work Frontman at local pub, The Rainbow, in 2011. They are currently developing a new work, Slaptalk, inspired by pre-bout trash talking between boxers and the rhetoric of party politics. In work-in-progress performances of the piece Gemma and James ritualistically insult one another via a scrolling auto-cue text.

actionhero.org.uk

Paper Stages (Forest Fringe – UK and elsewhere)

‘This publication can be seen as a festival contained in the pages of a book co-authored by over 20 Forest Fringe artists, each page of which is a different instruction-based performance for you to perform. Some you’ll need to do on your own, some as part of a group; some may take place in your own home, others out on the streets of the city.’ We will be commissioning two Birmingham-based artists to contribute to a new edition of the publication alongside artists from other UK cities. The loose ‘small events’ cards (authored by Andy Field, editor of Paper Stages) have been specially made with the immediate vicinity of Digbeth in mind.

forestfringe.co.uk/festivals/2012-festivals/paper-stages-edinburgh-2012/

Fierce Archive Project

This year we have begun cataloguing fifteen years worth of papers, props, photos, newspaper clippings and more. Including a canvass splattered with the blood of Franko B, who will perform a new work for the stage, Because of Love, at this year’s festival. During the festival we will exhibit selected content from the archive, alongside this material we are interested in gathering oral testimonies from our audience over the years. The audio work, conceived by Sarah Farmer, is a recitation of various newspaper headlines responding to Fierce over the years.

wearefierce.org/archive

Posted in Uncategorized | Comments Off

Highlights of Fierce Festival 2013 announced:

10 May 2013

• 15th anniversary edition festival – Fierce is a teenager!

• International live art programme shaped by the people and places of Birmingham

• Burning sculpture, culinary adventures and an animatronic bear in an intense weekend, 4-6 October 2013

Birmingham’s Fierce Festival returns this October with its distinctive programme of performance and surprising installations in public space. Highlights of the 2013 programme – with its new autumn setting – have now been announced.

2013 marks the fifteenth anniversary edition of Fierce. Artists and audiences will be brought together in unusual venues across the city during three densely packed days of boundary-pushing live art in Birmingham and a full day’s programme at Warwick Arts Centre.

Programme Highlights:

In the run up to the Festival artist Brian Lobel leads the project Fun with Cancer Patients. Lobel, who experienced cancer as a young adult, will work with patients at Birmingham’s Teenage Cancer Trust. Together with Brian the teenagers will create challenge taboos around cancer and deal with them head-on in an open, honest and sometimes playful way. Fun with Cancer Patients culminates in an exhibition at mac Birmingham during the Festival.

French artist Denis Tricot will create a giant sculpture from strips of birch wood in the centre of Birmingham, inspired by the surrounding architecture. Once completed, the work will be set alight, creating a mesmeric spectacle.

Franko B, one of the most popular and provocative performers ever to appear at Fierce, makes a welcome return with Because of Love – Volume 1 at Warwick Arts Centre, a large-scale theatrical performance, combining dance, film and a dancing animatronic polar bear.

To mark the fifteenth edition, the Fierce Festival Archive Project delves into the festival’s history to map the changes in live art since 1997, noting the impact of the political and social landscape through the years.

The Festival begins with culinary inventors Blanch and Shock, creating a feast using local produce grown at Edible Eastside, an urban allotment in Birmingham’s post-industrial Digbeth region. The evening will include impromptu performances from international collective Wolf in the Winter.

As ever, Fierce Festival 2013 will include its usual mix of free events for all, unique performances, live music and late-night club performance.

Fierce are delighted to have received funding from the EU Culture Fund Support for European Festivals strand, in recognition of the festival’s track record of bringing high quality international work to Birmingham. The funding will support artists from across the European Union to deliver workshops, performances and exhibitions in the lead up to and during the Festival.

The full Fierce Festival programme will be announced in August 2013. For more information on the festival visit www.wearefierce.org.

Key Dates:

Friday 4 – Sunday 6 October 2013 – Fierce Festival 2013
Fierce Festival’s fifteenth edition will infuse the city with art, filling spaces across Birmingham – from theatres and galleries to garages and public squares. This year the festival includes a full day’s programme at Warwick Arts Centre.

Saturday 2 November 2013 – Fierce Day of the Dead Party:
A Fierce party in celebration of the Mexican holiday including performances, music, face painting and dressing up inspired by All Saints and All Souls day.

ENDS.

Notes for Editors:

1. Fierce Festival was established as Queerfest in 1998, becoming Fierce in 1999. It has established an international reputation for risk-taking, excellence and innovation, and is now widely recognised as one of the UK’s most important contemporary arts festivals.

2. Previous Fierce Festivals have seen a giant bird’s nest perching on the edge of a high rise glass office block, an orchestra playing music at dawn from a fleet of hot air balloons drifting over the city, a library of ‘human books’ reciting novels from memory in the Central Library and scores of dachshunds descending on Birmingham to re-enact a session of the United Nations Commission of Human Rights.

3. Fierce Festival is supported by Arts Council England (National Portfolio Organisation), Birmingham City Council, EU Culture Programme 2007 – 2013, Jerwood Charitable Foundation, Marketing Birmingham and ERDF (European Regional Development Fund).

For further information, images and interview requests please contact:

Helen Stallard, PR on behalf of Fierce Festival
Email: helen@helenstallard.co.uk
Phone: 0774 033 9604

Posted in Uncategorized | Comments Off

Fierce Press Gang’s Christina reviews ‘Of All The People In The World’

The elevator doors of the corporate building gradually opened to reveal something that resembled what I can only describe as a sub-Saharan landscape; an edible one…

“COME AND FIND YOURSELF” they said.

I had never felt so grown-up. Maybe this was a mind-set that Stan’s Cafe had attempted to instigate. Reading all of the perfectly typed labels as a make-believe business-woman gave me an insight into what it was like to view people as numbers. I look up from the label and acknowledge the city skyline. I feel powerful. I watch a man run for a bus filled with more men and women and children. There are people out there. The artificial sense of supremacy that the artists manage to create fades quickly, and yet lasts long enough for you to realise how easy it is for authoritative individuals to become detached from the society that they are supposedly a part of.

One grain of rice is you. As you read the labels, the words become more and more meaningless. You begin to read the visual feast rather than the words. The tone of the labels is cold and emotionless; robot-like. It mimics the language used by journalists who have no interest in the people that they write about.

As you travel around the exhibition, you are forced to reflect upon the way that you relate to the statistics. Where can you place your own grain of rice and where do you want to be able to place yourself?

The constant, flowing feed of statistics and facts resembles that of an online community – a beautiful juxtaposition of facts that mean nothing when apart, but paint a poignant picture when placed together. Even the way that the rice is placed forms juxtaposition, from squared to rounded piles, large and small, towering and short. It is incredible that every aspect of the instalment seems to remind you of the many different forms that society takes.

One section was themed around Catholicism, one A4 piece of paper labelled ‘PEOPLE ATTENDING MASS WITH POPE BENEDICT XVI, COFTON PARK, BIRMINGHAM, 19/09/2010’, ironically towering over a neighbouring page labelled ‘CARDINAL JOHN HENRY NEWMAN’. Suddenly, you are inclined to question the hierarchy within the church community.

There is something strangely captivating about the accessibility of this exhibition. You could reach out and grab handfuls of these people. The only thing preventing you from doing so is your morals – the walls that you’ve built to protect yourself. You may feel encouraged by Stan’s Cafe to knock these down, metaphorically of course.

In a world where we are constantly moving and rushing past each other, it is easy to forget how connected we are. We are linked together via both meaningful and meaningless statistics.

This exhibition will take you on a journey of self-discovery. Allow yourself to question your place in society and you may just reap the benefits.

This review was written by 17 year old Christina Sabbagh from Fierce Press Gang 2013.

Of All The People In The World is an exhibition by Stan’s Cafe that was exhibited at Two Snow Hill from Friday 12th April – Sunday 21st April. More information can be found here.

Fierce Press Gang 2013 offers young people from Birmingham insights into the entrepreneurial aspects of working on a festival, as well as masterclasses in digital journalism. Fierce Press Gang culminates in an opportunity to cover the Fierce Start Party 2013 on Saturday 27 April in Birmingham, a multi-artform event unveiling the different aspects of the festival. Supported by online magazine This Is Tomorrow, the group will interview Fierce artists, document events and offer feedback. Their activity will be published on the Fierce blog and This Is Tomorrow website.

Fierce Press Gang 2013 is funded by Birmingham City Council.

Posted in Fierce Press Gang, News | Tagged , , | Comments Off

Fierce FWD: artist development scheme – round 1 deadline approaching – April 22nd

FIERCE FWD 2013 & 2014

Fierce FWD is a two-year artist development programme conceived and produced by Fierce Festival supported by Arts Council England and the Jerwood Charitable Foundation.

The programme is targeted at emerging artists living and working in the West Midlands (outside of full-time education). In keeping with Fierce being a live art festival this scheme is aimed at those developing projects for live performance.

The programme has two stages:

Year one: How to Apply

We will distribute 24 micro-bursaries of £250 each in the Spring and Summer. To apply please send a submission of no more than 2 sides of A4, which may include, text, diagrams, photos or video-links outlining an action, research meeting or artistic experiment you would like to make to develop a live performance or intervention. A trace of the activity of the selected proposals will be posted on this micro-site, which will also provide a space for profiling your practice as an artist more generally. We are currently only accepting applications for the April 22nd deadline.

Year two

We will select four artists from 24 recipients of the micro-bursaries to receive a larger bursary of £1500, mentorship and producing /curatorial support to develop a site-specific project for Fierce Festival in October 2014. The four selected artists will be encouraged to support each other as a peer group, meeting monthly supported by a group mentor. Each artist will also be paired a former Fierce Festival artist to specifically support their individual process.

What kind of projects and artists are we looking to work with?

We welcome proposals that expand the idea of what live performance might be. A good guide to the kind of work Fierce supports and develops can be gleaned from downloading the last two previous Fierce Festival brochure pdfs here.

Key Dates

Round 1 submissions open Mon 18th March – Mon 22nd April.

Outcomes shared by Mon 17th June.

Round 2 submissions accepted from Mon 1 July – Mon 29 July

Outcomes shared by Mon 14 October.

Please send submissions to FierceFWD[a]wearefierce.org

Get to know you events

On Saturday 27th April Fierce will convene the first of two ‘Get-to-know-you’ events; inviting programmers from across the UK to talk about their platform and development opportunities for emerging artists. If you are interested in attending the April date please book a place here. The second date will be in the Autumn and announced in the summer. Places are limited!

Sustaining Your Practice Talks

Across 2014 we will partner with various arts organisation partners for a series of talks looking at different aspects of sustaining and developing your practice.

About the identity: designed by Cody Lee Barbour. Cody was on the previous incarnation of Fierce’s emerging artist development scheme Platinum.

Fierce FWD is generously supported by Jerwood Charitable Foundation and Arts Council England.

Posted in Uncategorized | Comments Off

Final reminder! DIY deadline coming this Monday!!!

A final reminder of the deadline for proposals to dream up and lead a DIY – a Live Art Development agency initiated scheme that supports quirky professional development processes led by artists for other artists.

Fierce Festival has hosted past DIY projects with Abigail Davey (from Breathe) at The Black Country Living Museum; with Chris Goode, who ran a ‘Queer Eye Enquiry’ (a correspondence course with associated actions set for participants – a process for which Chris generated this remarkable blog and last year a weekend workshop exploring the outer limits of fabulation, with Dickie Beau.

This is the 10th anniversary of the scheme and there are 20 partners supporting projects nationally so we want to hear some inspirational ideas. Click here for more detail.

Posted in Uncategorized | Comments Off

Fierce FWD: Emerging Artist Development Scheme – round 1 deadline, 22nd April!

Are you based in the West Midlands?
If so you could be eligible for the first round of the micro-bursaries we’re distributing via Fierce FWD in a strand our new artist support and development scheme.
To get more details follow this link www.fiercefwd.org.

Posted in Uncategorized | Comments Off

Volunteers to help create Fierce’s archive needed. . .

What is the Fierce Archive?

Since its inception as Queerfest in 1997 through to the Fierce Festival we have today, Fierce as an organisation has worked with hundreds of artists on an abundance of projects and events and is now seeking to catalogue and archive all this activity. This archive will be publicly available and will serve as a point of dialogue for new future works to be generated, as well as preserving the past for posterity.

Fierce needs volunteers at all stages of the archive building; the first stage is to help sort through and catalogue flyers, paperwork, photos, videos, websites and other archival information. The second stage will be a period of building the archive – digitalising documents and old media formats, collecting oral histories and developing an appropriate archive system. The final stage will be curating the archive, exhibiting it to the public in September and throughout Fierce 2013. There will also be a small display of archival material and its progress at the Fierce start party on the 27th April 2013.

Why volunteer on the Fierce Archive?

This is a great opportunity to work on an exciting and long lasting project with Fierce. You will get to see in depth what happens behind the scenes in an arts organisation and learn a great deal about Birmingham’s live art history as well as making new friends and expanding your network of professional contacts. Participant will also receive concession tickets to Fierce events and parties.

To get involved or contribute personal documentation of past festivals please email Sarah via archive@wearefierce.org

Posted in Uncategorized | Comments Off

Fierce Start Party 2013 / Sat 27 April / 1 – 5 pm / documentation

FIERCE START PARTY 2013

The Fierce Start Party is our annual event offering our audiences a very early opportunity to get a sense of the projects and/or artists in the coming festival. This year our start party took place on Sat 27th April. Over the next few months we’ll be sharing the development of the projects as they evolve, culminating in the festival 4 – 6th October 2013. Here are some pictures documenting the event by Katja Ogrin.




Posted in Uncategorized | Comments Off